osprey_archer: (cheers)
A few Orphan Black thoughts, non-spoilery for once.

1. I really appreciate the ten-episode seasons. Not only do they make the show less intimidatingly long, but they also mean that each season is svelte enough that the writers don’t have to throw in any filler episodes. (I feel that this has always been one of Agents of SHIELD’s problems: there’s always part of the season where they’re mucking about not getting anywhere, because the writers have twelve more episodes to fill before the big finale.)

2. I also appreciate the fact that Orphan Black is willing to drop storylines for an episode or two. It means that every storyline in any given episode will have enough screen time to move forward in a meaningful way.

3. I do wonder if I’ll feel differently about this when I’m watching Orphan Black on TV next spring, though. It’s very satisfying when I know that I can watch the next episode and get updates on Alison’s Suburban Gothic life tomorrow, but will I feel differently if I have to wait a week between episodes?

4. Alison’s Suburban Gothic life is weirdly out of place with everything else in the show - why is Dyad so willing to leave her alone? - and yet I love it. I would never watch something like this on its own, but it’s such a relief in the midst of all the Dark Happenings to pop over to Alison. Not that Alison’s life is without dark happenings, but there’s an element of black farce to them that makes them a relief.

5. Before Orphan Black, I would have told you that I hated pregnancy storylines. But Orphan Black is making me rethink this: maybe it’s not pregnancy storylines that I hate so much as the way that they’re usually done on TV. I feel like Orphan Black takes issues of bodily autonomy far more seriously than most TV shows, which I suppose one would expect in a show about clones.

7. But then, the other main issue I’d expect a show about clones to tackle is identity, and Orphan Black is surprisingly silent on this issue. The first episode of the first season kicks off with one of the clones committing suicide, and although the other clones are sad about this, it doesn’t prompt any of them to soul-searching about their own mental health and possible propensity to suicide.

On the other hand, I think this is probably a wise move on Orphan Black’s part: the clones have very little in common other than looking alike, and I think if the show delved too deeply into identity issues it might run into problems trying to explain how they’re all so very different.
osprey_archer: (cheers)
I finished season 2 of Orphan Black! Which was fantastic and I am waiting impatiently for the first disc of season 3 to arrive, and! I am excited to learn that Netflix will be getting season 4 in the middle of July, which means I should be able to transition straight into it when I finish season 3!

Possibly with a pause in between to watch Only Yesterday, a Studio Ghibli movie that is finally coming to DVD in the US. I want to see all the Studio Ghibli films and I am slowly closing in on this goal.

But I digress! Back to Orphan Black.

One of the things I really like about this show is that it does such a good job humanizing the bad guys, and showing that they have soft sides and sadnesses - without utterly gutting the qualities that make them terrifying in the first place. They're dangerous and they're vulnerable, sometimes at the same time, and it's a complexity that isn't common in TV shows and especially isn't common with female characters, and it's a tour de force exhibition of the fact that creating fully human female characters means sometimes letting them be weak and small and broken.

Sarah's grit is all the more impressive because we sometimes see her cry, and break down, and not want to fight anymore.

And now for some Spoiler discussion )
osprey_archer: (friends)
I got the final disc of season 2 of Orphan Black today and there is nothing that I want to do more than bake a batch of chocolate chip and cranberry scones and spend the evening finishing the season.

Cut for Orphan Black spoilers )

Only I'm also supposed to go line-dancing tonight, and not just line-dancing class but actual for-real dancing at a lodge, and I'm sure it would actually be good for me to go out and see people and socialize - or hover uneasily along the wall between dances, that sounds more like something I would do - and, well, Orphan Black sounds more pleasant.

But if I didn't happen to have a convenient Orphan Black DVD, I'm sure I would convince myself that watching Graceland on Netflix instant or reading The Road to Little Dribbling or possibly just refreshing Tumblr endlessly sounded more pleasant, too. I should really go out there and dance. Embrace discomfort, self! I bet everyone else has the wrong shoes too!

Maybe I'll go for an hour and then come back and then make the scones and watch Orphan Black. The butter needs time to soften, anyway.
osprey_archer: (cheers)
I finished watching season one of Orphan Black, and wow! What a ride! I'm putting this behind the cut because it's basically impossible to talk about this show without spoilers.

Thoughts on Orphan Black! )
osprey_archer: (window)
I've been giving a few new television shows a go, so I thought I would collect my thoughts here.

1. I've heard great things about 30 Rock, but... I didn't like the pilot. :/ Now, I wasn't blown over by the pilot for Graceland either, and I actually kind of disliked the pilot for Castle (in fact the first ten episodes or so grated on me; she's not interested, Castle, leave her alone!), so this is not necessarily the kiss of death, but...

Has anyone watched this show? Is the pilot pretty much of a piece with the rest of it, or is there a great tonal shift? Does Tina Fey shove Jack Donaghey out a thirteeth-floor window, for instance?

This is also giving me second thoughts about giving Invincible Kimmy Schmidt a try.

2. I watched the first two episodes of Wolfblood, which is cute but didn't blow me away. Possibly I've outgrown teen dramas? But I'll probably give it a few more episodes to find its feet; I think five episodes is usually a good number, especially with half hour episodes.

3. Orphan Black. Oh my GOD, you guys, this show is amazing, and Tatiana Maslany is an absolute revelation. If I didn't know that she was playing all these different characters, I never in a million years would have guessed, because she's so good at making them all different - obviously with help from wardrobe and the writers in giving them different speech patterns, but still, the accents! The body language! The facial expressions! That's all her, and it's all amazing. And her control is so perfect.

I've only seen the first four episodes so far, so I don't have much of an opinion about the unfolding mysteries yet - although I will say, I loooooved the way that Sarah had to figure out Elizabeth Childs' life in the first few episodes after unwitting stealing her identity. The way that they set up this smaller mystery within the bigger mysteries of the season gives me a lot of hope for good payoffs: they clearly understand the pleasure of unraveling a mystery when the question is not whodunnit but "what the heck has been done and what does it mean?"
osprey_archer: (Agents of SHIELD)
I finished season 7 of Castle, and in between some things I've heard about season 8 and the fact that season 7 has one of the most perfect endings ever, I think I'm going to stop here. (...Unless sometime down the road someone tells me that season 9 is amazeballs, but when was the last time anyone said season 9 of anything was amazeballs?)

So! Now I am in the position of needing a new show, and I have decided to lay out the pros and cons of the various shows I have in my Netflix queue. (This doesn't include shows available on Netflix instant: those don't require pre-planning to check out.)


1. Orphan Black

Pros: Multiple friends have recommended this to me as being basically the most amazing thing ever

Also, it's starting a new season soon, so theoretically I could catch up and watch it on TV! And although there are three previous seasons, they're only ten episodes long, so I might actually catch up rather than trailing disconsolately behind for the entire run of the show like I have done with basically everything else I've ever watched.

Cons: I am so terrible with faces, you guys. I am so terrible with faces that I spent the first two episodes of Cambridge Spies desperately confused about which white British dudes with a posh accent was which, never mind there are are only four of them and they don't even look that similar! Whereas Orphan Black has fifteen different characters played by the same actress!

Actually I think fifteen is an exaggeration. But nonetheless there are a lot of them.


2. Dark Angel

Pros: You had me at "genetically enhanced soldier Max Guevara on the run from the government." It's like they designed a show just for me! Right down to the fact that it's only two seasons long, bless you, Dark Angel, you are made to cater to my television commitment issues.

Cons: I don't think this one has any cons, but that's partly because I know very little about it. Is the reason I haven't heard more about it because it's secretly terrible and that's why it got only two seasons?


3. Golden Girls

Pros: I have heard many good things about this show about older women hanging out and being buddies and cracking wise together, and it sounds like it would be a hilarious and relaxing show.

Also, while it does have a million episodes, it's also complete, so it's not going to have a million more.

Cons: It has a million episodes. I am very intimidated by shows that have more than three seasons, and Golden Girls has seven and also - I just noticed this - Netflix doesn't have one of them! WHY WOULD YOU DO THAT, NETFLIX, WHY.

Probably tabling this one until Netflix has the complete damn series.


4. The Good Wife

Pros: My friends have also sung the praises of this show to the sky, as have the critics, especially for the varied and complex relationships between the female characters.

Cons: It also has a million episodes, and it's still running so who knows how many more it will accrue.


5. Brideshead Revisited

Pros: A miniseries! So it's very short and there will never be more. Also I like book adaptations. (I should see if there are any Austen miniseries I haven't watched yet...)

Cons: I just watched Cambridge Spies, so I'm not feeling another miniseries about the upper classes in interwar Britain just at this moment. Plus I get my fix for that from Poirot. I could even catch up on all those seasons of Downton Abbey I missed, if I really wanted to make myself miserable, why would I want that, this is a terrible idea, self, stop it.

Anyway, I'll probably watch this one eventually (that's the nice thing about miniseries), but not right at this moment.


6. Justified

Pros: I do love crime dramas. And this one is set in Appalachia, and I'm not sure why that appeals to me but it does.

I've also heard a lot of compliments about the use of language in this series, the poetry of the dialogue, which is not something one hears about many series and therefore made me perk up and take notice.

Cons: The female characters apparently get short shrift. Also, while the show is complete, it's also six seasons long, which is a lot of seasons.


I may just go ahead and try Orphan Black first, because it's the only one that has any kind of time component: the others are either complete, or so long that there's no way I'll catch up to the currently airing episodes (The Good Wife). Are there any other shows I should take under consideration? Perhaps particularly miniseries or series that were tragically canceled before their time.

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