osprey_archer: (books)
This week's Caldecott winner is May I Bring a Friend?, but before we discuss it, a pause for Caldecott related business. The Museum of Fine Arts in Boston is having an exhibit called Make Way for Ducklings: The Art of Robert McCloskey, an artist who won the Caldecott twice (most notably for, well, Make Way for Ducklings.

If only I had a teleportation device! I'd love to see the exhibition. There's a slideshow of some of the highlights on the website, but it only whetted my appetite.

***

In any case! This week's book is Beatrice Schenk de Regniers' May I Bring a Friend? (illustrated by Beni Montresor), which I felt a bit dubious about - it's one of those books with black line drawings filled in with colors like a coloring book, and I wasn't feeling the color palette chosen. (Pink, orange, yellow, and red, with splashes of olive green.)

However, the story is totally charming. The king and queen invite a young boy to tea, and in response he asks, "May I bring a friend?" Well, the king and queen have excellent manners, so of course they say yes, and the little fellow brings... a giraffe.

One might expect this to put them off further invitations, but in fact they keep inviting him, and he brings a a hippo, an elephant, a troop of monkeys, and a pride of lions in quick succession. Cute and funny.

But I think my very favorite thing are the little vignette illustrations of the king and queen when they're alone together: picking flowers, dancing, fishing, catching butterflies, rolling a ball of yarn together. (The king holds a great bundle of yarn on his outstretched arms as the queen rolls it up.) Now there's a happy couple.
osprey_archer: (cheers)
Robert McCloskey won the Caldecott Medal twice: first in 1942 for Make Way for Ducklings, and again in 1958 for Time of Wonder.

What fascinates me about this is that these two books are so different. Make Way for Ducklings is adorable, full of cute pencil drawings of personality-filled ducklings walking through the streets of Boston.

Time of Wonder, on the other hand, is EPIC. It's vast full-color panoramas of Penobscot Bay, with white sails drifting across the blue sea between the green and gray islands. It's standing on a rocky point at the end of the island to watch the sunrise seep through the foggy sky. It's a hurricane scene so chaotic it's practically expressionist: the only glints of order in the chaos are the glow of the house windows and the outline of an unfortunate fishing boat trying to hurry in from sea.

(It's also told in second person, like a choose your own adventure story, although without the branching storylines, although that would be kind of entertaining. "A hurricane is approaching. If you head back to the island, turn to page 36. If you decide to continue sailing, turn to page 18...")

These are two such different styles of illustration, the minutely detailed pencil ducklings and the grand swathes of color and landscape. I'm so impressed that McCloskey mastered them both.
osprey_archer: (books)
What I’ve Just Finished Reading

Robert McCloskey’s Homer Price, which I imagine I might have liked more if I read it as a kid. As it was it all felt a bit too goofy to me: the first story involves Homer defeating four burglars with a skunk, for instance.

I also finished Jennifer Ackerman’s The Genius of Birds, which was moderately interesting but mostly reminded me that I’ve been meaning to read Charles Darwin’s On the Origin of Species for ages now. My reading challenge for August is “a book you should have read in school,” and Darwin counts for that, right?

Actually I’m not sure anyone reads Darwin in school. Oh well, I think it’s a good idea, and I shall pencil it into my reading calendar for August.

What I’m Reading Now

Mike Dash’s Tulipomania: The Story of the World’s Most Coveted Flower and the Extraordinary Passions It Aroused, which is about the tulip bulb financial bubble in 17th century Holland. I guess I have sort of a thing for tales of financial bubbles. So far this one isn’t blowing me away like Zac Bissonnette’s The Great Beanie Baby Bubble: Mass Delusion and the Dark Side of Cute, but then we’re still discussing the history of tulips and haven’t even gotten to Holland yet.

I’ve also started Irvin Yalom’s Staring at the Sun: Overcoming the Terror of Death, which I think may take me a while, given that it’s so full of death and everything. Yalom kicks it off with the disconcerting fact that most therapists are not trained to deal with anxiety about death, like, at all, which seems like a pretty big oversight in therapy training, frankly. Surely it’s not uncommon for patients to fling themselves on the therapy couch and say “Doc, the fact that I will one day cease to exist fills me with an overwhelming terror.”

What I Plan to Read Next

[livejournal.com profile] evelyn_b picked Hope Mirrlees’ Lud-in-the-Mist as my book for the next challenge on the 2016 Reading Challenge, so I’m waiting for the library to bring that to me through the magic of interlibrary loan.

I’ve also been poking around the library’s disconcerting range of Darwin editions. I’m leaning toward David Quammen’s illustrated edition, because 1) pictures, and 2) after more hunting than I feel should be necessary, I’ve ascertained that it contains the unabridged text of the first edition, which is apparently clearer and more elegant than subsequent editions, which Darwin tried to emend to meet his critics’ objections.
osprey_archer: (window)
The next book on my Caldecott list ought to be 1941’s They Were Strong and Good, but some fiendish person has checked this out of the library - actually I suppose it’s a good thing that the early Caldecott books are still being read, but it’s inconvenient for me - so instead I’m reading the 1942 winner, Robert McCloskey’s Make Way for Ducklings, which conveniently I own.

What an absolutely charming book this is. Of course I'm biased, because we read it when I was a child, but the ducks are delightful. There are eight ducklings, and I love the way that McCloskey has them interact with each other. They don't just all peacefully follow their mother: one duckling will chase after another, say, while yet a third duckling cranes around to look up at a shopkeeper, and yet another searches the ground - perhaps for crumbs?

McCloskey has a real gift for filling his animal drawings with interest and emotion. It reminds me a bit of Pixar.

I always enjoyed the ducklings (I had a bit of a mania for feeding ducks when I was a child), but rereading it as an adult - how delightful is this view of 1940s Boston! The Public Garden, the policeman in his police stand, the rounded old cars and the cozy little corner bookshop.

I looked up Robert McCloskey on Wikipedia to see if he lived in Boston - apparently not - but I did learn from the entry that he wrote two books of humorous short stories set in a town loosely based on his own boyhood home. I am a sucker for this sort of thing, and Wikipedia also tells me that the books were translated into Russian in the seventies and became quite popular in the Soviet Union, so naturally I've put the first one on hold at the library.

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